With all of this in mind, let’s now dive into our list of the best cursive fonts for making your site look fancier and more professional. Using multiple cursive or script fonts across your site will just look garish, so don’t do it. Remember, a script font is most often used for titles or to call attention to a specific line of text (like a subheader or tagline). It’s much too messy to try to use more than one. One at a time: Only use one script font on your website.It’s hard on the eyes and also poor on accessibility, so stick to using them for titles instead. They just aren’t very legible when used for body text. Headers and titles: Cursive fonts are best used in short bursts.Luxury brands: It makes more sense for a company or brand that deals in the luxury niche to use equally luxurious or sophisticated fonts.Official marketing materials: Similar to the above, company letterhead, website headers, and blog post titles may find cursive fonts to be fitting.Certificates, awards, other formal documents, as well as magazine headers all can benefit from their use. Formal situations: Any time you want to exude class or sophistication, a script font can work well.But there are a few specific situations where their use is both expected and encouraged: Of course, any time you want to convey elegance, a cursive font will serve you well. We’ve already mentioned a few potential use cases but let’s take a moment to explore further when and where to use cursive fonts on your website. Though not written by hand, it imitates cursive handwriting which immediately creates associations in your mind with a personal touch. The use of a script typeface automatically adds a sense of style and sophistication to what you’re making. From wedding invitations to ads, script is no stranger to printed materials. Script typefaces have been used in a variety of ways in the modern era. Likewise, calligraphy fonts can go heavy on the flourishes at times, obscuring the letters. For instance, Gaelic style script typefaces are blocky yet maintain elements of cursive on some occasions making it difficult to read. Of course, some script fonts are still rather illegible. They’re more casual and easier to read than both cursive handwriting and early examples of script typefaces. The script typefaces as we know them today found in printed materials and online were developed in the 20th century and are often a bit more relaxed than their predecessors. When replicated in digital format nowadays, brush script fonts mimic this lightweight style, which carries numerous imperfections and brushstrokes, lending it for use in anything that needs a personal or authentic touch. Calligraphy was created using a brush, which resulted in a feathery, delicate style of writing. 1976 Jean Patou 1000 Perfume Ad – Image source: eBayīrush scripts, on the other hand, found their beginnings in Asia. This same style found a revival in the 1970s, where script flourishes dominated advertising across every niche. This elegant lettering was then engraved onto copper plates, which could be used in printing. This type of curlicue, scroll-laden handwriting you’d find in manuscripts written with a quill and ink.ĭuring this period of time, British aristocracy was quite fond of calligraphy, which was made entirely possible by the use of a pointed nib. Rather, script typefaces are inspired by physical cursive handwriting that was used around the 18th century. We’re talking long before typewriters and word processing here. Cursive fonts are formally referred to as script typefaces and they’ve existed for several hundred years.
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The tournament takes place over 5 Days and Nights. In Tidal Blades: Heroes of the Reef, each player takes the role of a young hero competing to be named a Tidal Blade. A tournament has been called, the Arenas are ready, the inhabitants of all the islands are gathering, and young heroes from across the realm are showing up to compete to be named a Tidal Blade: Hero of the Reef. The Arcanists folded space and time to stop the onslaught of creatures from the depths, but now new Monsters have appeared, the hard-earned days of peace are coming to a close and the islands need protection. It has been fifteen years since the Great Battle 15 years since the Arcanists from the Citadel of Time made their terrible choice and created the Fold 15 years since the last assemblage of Tidal Blades. To succeed in the Tournament and be chosen as a Tidal Blade, you must compete in Challenges held in the 3 Arenas, rise to the top of the Champion’s Board, and protect the realm from the ever increasing threat of the Monsters from the mysterious Fold. It is supported by Edinburgh Innovations, the University of Edinburgh’s commercialization service.Welcome Heroes! Many magnificent contestants have signed up for the tournament but only a handful will be chosen to join the Tidal Blades, the elite guards of our island realm. MAXBlade is led by TechnipFMC and includes Orbital Marine Power, Marasoft, Tecnalia, University of Edinburgh, EMEC, Laborelec and the European Composites Industry Association. We will also lead the development of thermoplastic resins in MAXBlade and the circular economy roadmap needed for future tidal blade manufacturing and recycling.” “This will help the tidal energy industry to de-risk their ongoing turbine developments and provide low-cost, reliable renewable energy to the grid. “The University of Edinburgh is delighted to be a partner in the MAXBlade project, where we will demonstrate the unique rapid testing capability of the FastBlade facility,” Professor Conchúr Ó Brádaigh, head of school and chair of materials engineering at Edinburgh University, says. This will pave the way to the tidal energy sector making significant contributions towards Europe’s energy systems, energy security and industrial development by 2030 and beyond to 2050, the team says. Innovations from MAXBlade will be integrated with findings from its sister project, FORWARD2030, to enable large-scale production of Orbital’s O 2 turbine technology. The team aims to generate 120,000 hours of performance data that will be assessed by EMEC and project partner Tecnalia (Derio, Biscay, Spain), a research and technological development center. In total, the project is expected to run from 66 months (January 2023 to June 2028). Two of Orbital Marine Power’s O 2 floating tidal turbine platforms will each be fitted with four of the newly developed blades. The technology will then undergo two years of real-world testing at the European Marine Energy Centre (EMEC) in Orkney. MAXBlade will involve a two-year design and development phase, followed by an 18-month build, during which blades will undergo advanced structural testing at FastBlade. economy by harnessing wave and tidal energy. Modeling by the University of Edinburgh’s Institute of Energy Systems estimates £40 billion could be generated for the U.K. “This will help the tidal energy industry to de-risk their ongoing turbine developments and provide low-cost, reliable renewable energy to the grid.” The team says that boosting blade length will have the single greatest impact on reducing the cost of tidal energy. To achieve this, MAXBlade will increase the length of tidal turbine blades from 10 to 13 meters - making them the longest of their kind. The project plans to increase the area harnessed by Scottish tidal technology company Orbital Marine Power (Edinburgh) to generate power - known as the rotor swept area - by 70%, to more than 1,000 square meters. The project’s long-term aim is to ensure the European composite sector becomes the international leader in tidal blade manufacture. MAXBlade will investigate the full lifecycle of tidal turbine blades, from materials, manufacture and operation, to decommissioning and recyclability. The project was inaugurated in the presence of Her Royal Highness, The Princess Royal, at the University of Edinburgh’s (U.K.) FastBlade facility, reported to be the world’s first rapid testing facility for tidal turbine blades. MAXBlade, a €10 million project, funded by the European Union (EU) and UK Research and Innovation, has been launched to deliver a range of innovations to improve the performance of tidal turbines and reduce costs. Her Royal Highness, The Princess Royal, addresses guests during her visit to FastBlade on Jan. While torque arms do help, think carefully about using one of these kits on a carbon fork or one with a built in shock as they may break under the increased pressure. For this reason each of these kits also includes a torque arm that distributes force upwards into the fork, away from the drop outs where the bolt goes through. Currie has opted for a front wheel design for kits 2, 3 and 4 to make it easier to mount onto your bike and while this does help to distribute the weight more evenly across the frame, it does put more stress on a part of your bike not normally meant to handle such weight and force. The wheels for each of these kits only come in 26″ which is standard for most mountain bikes but a bit small for city and road bikes that usually use 700c / 29″. Kit 3 is where the real power is at and this 500 watt brushless geared hub motor offers great torque and speed. This is a solid motor that runs smooth and provides good torque but not enough for larger riders or steep hills. Kit 2 and 4 use the same 250 watt brushless geared hub motor that can be found on the IZIP E3 Vibe. It’s a unique system and you could actually buy a fully assembled Trailz for almost the same price. I always figured they made it extra powerful to haul around those 18 pound Lead acid batteries… but the chain drive itself is less efficient and having the motor out to the side creates some imbalance on the bike overall. You can see this thing in action on the eZip Trailz. On to the motors! Kit 1 offers a 450 watt chain drive motor that is kind of a wildcard in the world of ebikes. Long story short, think about the weight and how your bike will respond. Adding 20 to 30 pounds to any bike will change its handling and because these kits all put the battery on the back, a front shock may not do as much to smooth it out as you’d think and a rear shock may get overloaded with the increased weight and not perform as expected. Also, many electric bikes don’t have shocks which helps to keep their cost low and make them stiff and durable under the increased load of batteries, controllers and motors. This is because they go fast and can cause a lot of vibration for the rider. You’ll notice that most ebikes have larger balloon tires and wider sprung seats. Whichever bike you’ve go I recommend considering the saddle and tires carefully because they can do a lot to smooth out the ride. Make sure your bike has eyelets to accept a rack before ordering one of these kits! The pictures here show an Electra Townie which works very well and even served as the inspiration for Pedego’s Classic Cruiser and Electra’s own Townie Go. You get a bolt-on rack that mounts like any other rack to the rear end of your bike. While each kit looks a little different, they all follow a layout. Now that you’ve got some idea of how to sort these kits out and determine which one might be best for your budget and ride, let’s talk about some of the features. You can check the specs above for the exact details but think of it like this: kit 1 and 4 have heavy Lead acid batteries, kit 2 has a nicer Lithium-ion battery that will endure more than twice as many charge cycles before wearing out and kit 3 is the top of the line with a larger Lithium-ion battery and a larger 500 watt motor! This kit actually resembles the IZIP E3 Zuma which is one of my favorite ebikes around. So what’s the difference between the four kits? Somewhat confusingly, they go from 1 to 4 but the fourth kit would make more sense being called 1.5 because it uses the same basic sealed Lead acid SLA battery as kit 1 but introduces a nicer hub motor instead of a chain drive motor which is louder and less efficient. Considering the variety offered by these kits, they can be a great product for those who already have a bike they love and are just looking for a little boost but they aren’t perfect. If you mount one of these on your bike you will only be able to use a thumb throttle to activate the system. Overall they are effective, durable and proven but somewhat limited by comparison to fully assembled kits because they lack pedal assist (PAS) modes. These kits consist of the same motors, batteries and controllers that power the fully assembled eZip and IZIP electric bike lines made by Currie Technologies. You may notice they go by several names: Currie Electro-Drive bike kits 1-4 and also Currie Conversion Kit 2700, 37 (just think of those last three as Kit 2, 3 and 4 respectively). The Currie Electro-Drive bike kits can be a little confusing at first. In addition to mechanical components, they have a basic organic structure derived from two beings named Adam and Lilith for this reason they have eyes, epidermis, internal organs and nails similar to those of humans and have been classified as cyborgs rather than mecha in the traditional sense. In the original animated series, the Evangelion are giant humanoids studied by a research center called Gehirn and the special agency Nerv to fight beings called Angels. In addition to the original animated series, Evangelions appear in its derivative works, including spin-off manga, video games, visual novels, in the original video animation Petit Eva: and in the Rebuild of Evangelion movies, with considerably different roles and guises. The Evangelions ( エヴァンゲリオン, Evangerion), also referred to as Evas, are fictional biomechanical humanoid mechas introduced in the anime television series Neon Genesis Evangelion, produced by Gainax studio and directed by Hideaki Anno, and in the manga of the same name written and illustrated by Yoshiyuki Sadamoto. In the background, the nine units of the Eva Series. Clockwise, from the top: Eva01, 00, 03, 02 and 04. Rebuild of Evangelion: Mark.04 | Eva-05 | Mark.06 | Eva-08 | Mark.Fictional cyborgs in Neon Genesis Evangelion All Evangelion units from the original series, as depicted in an official art from the Evangelion Chronicle encyclopedia. A much larger group of MP Evas is seen surrounding the fallen Black Moon, projecting several enormous AT Fields of unprecedented size.įailed Evangelion Prototypes | Simulation BodiesĮva-00 | Eva-01 | Eva-02 | Eva-03 | Eva-04 | Mass Production Evangelions (Evas 05~13) They MP Evas are not shown to use these firearms, which makes it easier for Eva 08+02 to defeat them. The MP Evas are equipped with large assault rifles akin to those used in the original series, although these rifles appear to have progressive knives attached to them as crude bayonets. The MP Evas appear to try to engage Eva 08+02 but do not attack in coordination or with much force, for unknown reasons. Eva 08+02 succeeds in cutting down several Mass Production Evangelions with the Magorox Sword, as well as defeating some in hand-to-hand combat. In the preview for Final, Eva 08+02 is seen fighting an army of Mass Production Evangelions on the remains of Tokyo-3, near the fallen Black Moon. These Evas also seem to lack any external source of motive power such as a power cable, implying that they have an internal power source like the the Mark.06, the Mark.09 and Eva-13. They arrange themselves in an octagonal pattern when doing this. The exact abilities of the Mass Production Evas are unknown, but they are seen to be able to combine their AT Fields when in close proximity to create much larger and possibly stronger AT Fields. It is also unknown whether they rely on the Dummy Plug, living pilots, or are "autonomous" like the Mark.06. The exact capabilities of the Mass Production Evangelions are unknown and they show strangely passive behaviour, seemingly unlike their counterparts from End of Evangelion. While some Mass Production Evangelions seem to be capable of moving and attacking like normal Evas, others appear to be stationary and are seen collectively producing several enormous AT Fields. Thus, the methods used for their construction and the reasons why they were able to be produced and deployed in such large numbers are shrouded in mystery. All the Mass Production Evangelions are identical, although some are without shoulder pylons.ĭuring 3.0, the armor and weaponry required for these Evas can be seen on conveyor belts or in rooms throughout Nerv HQ it is unknown if the biological bodies of the Evas had been produced at this time, as they are not shown. The only difference is that while the Mark.06 is blue with a yellow trim, the Mass Production Evangelions are dark green with a greyish-green trim. Physically, the Mass Production Evangelions appear to be exact replicas of Evangelion Mark.06, with red visors and horned helmets. Their appearance is foreshadowed by massive amounts of identical Eva armor and weaponry stockpiled throughout Nerv HQ in Evangelion 3.0: You Can (Not) Redo. Mass Production Evangelions (as tentatively named by the English-speaking fanbase) are an army of identical, mass-produced Evangelions seen in the preview for Evangelion: Final. The new capabilities that are being worked on include a one-handed mode and an easier way to connect the Duo to a Windows PC using Microsoft’s Remote Desktop app. There’s a new update for Microsoft Surface Duo that turns the device into a handheld gaming console of sorts: now some Xbox Cloud Gaming titles can be played with the second screen covered. Android 12L also introduced a new dynamic theming engine, new widgets, and a new Privacy dashboard.Īccording to Bowden, Microsoft has more new features in the pipeline for the Surface Duo. This update brought visual new icons, colors, and UI controls that blur the line with Windows 11’s design language. If we didn’t see a successor to the Surface Duo 2 this fall, the dual-screen device did receive Android 12L last month. According to Windows Central’s Zac Bowden, “this feature is used internally by engineers, but a public Insider Program for Surface Duo has been on the to-do list for the Duo team for many months.” That’ll set you back $14.99 or £10.99 every month.Digging deeper, Monce found that this Surface Insider Program page on the Surface Duo may show beta testers a feature list where they can toggle on or off different features. A regular Game Pass membership doesn’t let you stream games to Android devices. In more than 50 games, the controls are now placed on the second screen, rather than being superimposed on top of the game, making it easier to grip and avoiding. If you want to take advantage of the update for yourself, you’ll need an Xbox Game Pass Ultimate subscription first. Panos Panay, product manager at Microsoft, has announced the release of an update for the Surface Duo that makes better use of both screens with the Xbox Game Pass game subscription. Especially the ones like the Samsung Galaxy Z Fold 2, which have the same 'fold out' design as the Surface Duo. It’s like a Nintendo 3DS with Xbox games. The latest app update for Xbox Cloud Gaming (xCloud) let’s you use one screen for touch controls and the other for the game. So it doesn’t matter how you want to play games on your phone, you have the ability to pick the style that suits you best.įor now, all we want to know is whether this feature will come to other dual-screen or foldable devices. Microsoft is turning its Surface Duo into a handheld Xbox today. Game pass is compatible with Xbox controllers, clip-on gaming peripherals like the Razer Kishi, and now DS-style dual screen controls. Microsoft is turning its Surface Duo into a handheld Xbox today. This update does mean Microsoft is interested in giving people choice. Just another feature Microsoft appears to have borrowed from the Nintendo DS, and something Xbox controllers can’t offer. That means you’ll be able to turn the in-game camera around by physically moving the phone. Of course using the touchscreen also means Game Pass titles, like Gears 5, will be able to take advantage of the Surface Duo’s gyro controls. You can’t get that with the standard Xbox controller If you’re using the multiple apps experience. Note: Using touch or pen to drag and drop files is not currently supported. To get started, go to Apps and select Open phone screen or select the app you’d like to drag content from or into. So different games could feature different buttons and configurations that are best suited to that style of gameplay. You can transfer content from your Android device to your PC and from your PC to your Android device. According to Windows Central developers will also be given the option to alter the on-screen controllers. This ironic approach is exemplified by Lichtenstein’s methodically painted Benday dots, a mechanical process used to print pulp comics.Īs the decade progressed, artists shifted away from painting towards the use of industrial techniques. In contrast to the dripping paint and slashing brushstrokes of Abstract Expressionism-and even of Proto-Pop art-Pop artists applied their paint to imitate the look of industrial printing techniques. (L) Roy Lichtenstein, Girl with a Ball, 1961, oil on canvas, 60 1/4 x 36 1/4″ (153 x 91.9 cm) (Museum of Modern Art, New York) (R) Detail of face showing Lichtenstein’s painted Benday dots) Characterized by clearly rendered images of popular subject matter, it seemed to assault the standards of modern painting, which had embraced abstraction as a reflection of universal truths and individual expression. It was in this artistic and cultural context that Pop artists developed their distinctive style of the early 1960s. Significantly, the development of television, as well as changes in print advertising, placed new emphasis on graphic images and recognizable brand logos-something that we now take for granted in our visually saturated world. The manufacturing industry that had expanded during the war now began to mass-produce everything from hairspray and washing machines to shiny new convertibles, which advertisers claimed all would bring ultimate joy to their owners. The years following World War II saw enormous growth in the American economy, which, combined with innovations in technology and the media, spawned a consumer culture with more leisure time and expendable income than ever before. Post-War Consumer Culture Grabs Hold (and Never Lets Go)ġ950s Advertisement for the American Gas Association These “Proto-pop” artists were, in part, reacting against the rigid critical structure and lofty philosophies surrounding Abstract Expressionism, the dominant art movement of the time but their work also reflected the numerous social changes taking place around them. Robert Rauschenberg’s desire to “work in the gap between art and life,” for example, led him to incorporate such objects as bed pillows, tires and even a stuffed goat in his “combine paintings” that merged features of painting and sculpture. Likewise, Claes Oldenberg created The Store, an installation in a vacant storefront where he sold crudely fashioned sculptures of brand-name consumer goods. In 1917, Marcel Duchamp asserted that any object-including his notorious example of a urinal-could be art, as long as the artist intended it as such. Artists of the 1950s built on this notion to challenge boundaries distinguishing art from real life, in disciplines of music and dance, as well as visual art. Pop Art’s origins, however, can be traced back even further. Robert Rauschenberg, Bed, 1955, oil and pencil on pillow, quilt, and sheet on wood supports, 191.1 x 80 x 20.3 cm (The Museum of Modern Art, New York) Like religious fanatics, the actress’s fans worshipped their idol yet, Warhol’s sloppy silk-screening calls attention to the artifice of Marilyn’s glamorous façade and places her alongside other mass-marketed commodities like a can of soup or a box of Brillo pads. Notably, Warhol’s spiritual reference was especially poignant given Monroe’s suicide a few months earlier. The central image on a gold background evokes a religious tradition of painted icons, transforming the Hollywood starlet into a Byzantine Madonna that reflects our obsession with celebrity. Andy Warhol’s Gold Marilyn Monroe (1962) clearly reflects this inherent irony of Pop. But, then again, a second look may suggest a critique of the mass marketing practices and consumer culture that emerged in the United States after World War II. Andy Warhol, Gold Marilyn Monroe, 1962, silkscreen on canvas, 6′ 11 1/4″ x 57″ (211.4 x 144.7 cm) (Museum of Modern Art, New York)Īt first glance, Pop Art might seem to glorify popular culture by elevating soup cans, comic strips and hamburgers to the status of fine art on the walls of museums. Total) LUC10826 Brand New! Free shipping applies only to the contiguous 48 States. Furthermore, in connection with JB Tools’ satisfaction guarantee, JB Tools matches the price and/or any promotion associated with its products.Item: 402187974779 12-Pack of DOT 3 Brake Fluid, 32 oz. However, JB Tools’ customers can rest assured that JB Tools stands behind its Warranty Program and its Manufacturer Matching Policy,100% of the time. 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Larry Bruffy said he heard the first warning but looked out from his garage and saw nothing. While many residents had 10 to 17 minutes of warning, rain and hail may have drowned out the sirens. Jay Nixon said he was “optimistic that there are still lives out there to be saved.” An unknown number of people were hurt.ĭespite the grim outlook, Gov. Unlike the multiple storms that killed more than 300 people last month across the South, Joplin was smashed by just one exceptionally powerful twister.Īuthorities were prepared to find more bodies in the rubble throughout this gritty, blue-collar town of 50,000 people about 160 miles south of Kansas City. It was the nation’s deadliest single twister since a June 1953 tornado in Flint, Mich. Fires from gas leaks burned across town, and more violent weather loomed, including the threat of hail, high winds and even more tornadoes. It was the nation’s deadliest single tornado in nearly 60 years and the second major tornado disaster in less than a month.Īuthorities feared the toll could rise as the full scope of the destruction comes into view: House after house reduced to slabs, cars crushed like soda cans, shaken residents roaming streets in search of missing family members. (AP) – Rescue crews dug through piles of splintered houses and crushed cars Monday in a search for victims of a half-mile-wide tornado that killed at least 116 people when it blasted much of this Missouri town off the map and slammed straight into its hospital. The tornado tore a path a mile wide and four miles long destroying homes and businesses. At least 100 homes were damaged, and a joint city-county team was set to begin assessing emergency housing needs.Residents begin digging through the rubble of their home after it was destroyed by a tornado that hit Joplin, Mo. In Minneapolis, Minnesota, at least one person was killed and 30 others hurt by a separate tornado. I came outside and there was nothing left." It tore the roof off my house, everybody's house. I opened a closet and pulled myself into it," he told the Associated Press. I had to get downstairs, glass was flying. "There was a loud huffing noise, my windows started popping. Jeff Lehr, a reporter for the Joplin Globe, said he was upstairs in his home when the storm hit but was able to get to a basement closet. Barack Obama sent condolences to the families of those who died in storms in Joplin and across the midwest. The Missouri governor, Jay Nixon, declared a state of emergency. Triage centres and shelters were set up around Joplin, while emergency management officials rushed heavy equipment to the city to help lift debris and clear the way for search and rescue operations. In the car park, a helicopter lay crushed on its side, its rotors torn apart. The staff had just moments to move patients into hallways before the storm struck the multistorey building, blowing out hundreds of windows and leaving the facility useless. St John's regional medical centre appeared to take a direct hit. "We will recover and come back stronger than we are today," Rohr pledged.įire chief, Mitch Randles, estimated the tornado had damaged 25% to 30% of the city, which is home to about 50,000 people around 160 miles south of Kansas City. Much of the city's south side was flattened, with churches, schools, businesses and homes reduced to rubble.Īn unknown number of people were injured in the storm, and officials said patients were taken to any nearby hospitals that could take them.Ī door-to-door search of the damaged area, to begin on Monday morning, was expected to be hindered by fallen power lines, jagged debris and a series of gas leaks that caused fires around the city overnight. Rohr said the twister cut a path through the centre of the city nearly six miles long and more than half a mile wide. The city manager, Mark Rohr, announced the death toll at a pre-dawn news conference outside the ruins of a hospital that took a direct hit from Sunday's storm. |
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